The first half is OK, took me a few listens to warm up to but it improved with time. Things take a positive turn at shifting sands – stretches our gets a little more groovy.
Honestly it's fine record but nothing worth holding onto.
Like it, has an accessible popiness to it while still maintaining an precise edgey quickness (think agile backbeat and little guitar licks ). She's got an art pop thing with her singing that adds a curious dimension. Discogs tags this as experimental which I think is a stretch but it's exploratory.
Pop with a very distinct nonchalance and sparse dark production.
Moods
Inner white girl
Thoughts
Overly hyped, this is just ok. Like her sound but the songwriting is very generic. I guess this bored kind of style is notable but probably not the right demographic for this.
Introspective and sentimental – revisiting your old highschool
Thoughts
Intersections is the good one, standards is the lame one. Just gonna write both reviews for them here:
Intersections
There's a mature social introspection that separates this from the classic emo-pop I liked in my teens. Hard to deny the poppy directness of his songs, it's as if he's taken the best parts of emo songwriting and applied them as an adult songwriter.
Aside from an off-putting smugness in his delivery but I found this is a satisfying listen overall. At 32 and feeds a trip down nostalgia lane while still feeling new.
Standards
Don't like this one as much as intersections. Pretty good for the genere, mature emo singer songwriter. Lyrics and melodies don't sink in the same way.
Hard not to dig a kalabrese release, his tracks are all bursting with love of the craft. Above all else this album maintains a constant groove with lots of interesting production flourishes and bursts of instrumentation that keep these extended cuts engaging.
Lyrically he sings like a wanderlust euro, not the most articulate but he makes up for it in his genuineness. The addition of other vocalists is a welcome dimension. It's an album with moments of greatness but also suffers from an uneven side 2 that felt scattered.
Sounds like?
I’ll call this adult contemporary jazz. Modern melodic playing, at times building with rock-like structures
Moods
Pensive autumn walk
Thoughts
A lot to like here: top notch songwriting that builds effectively, each piece works as a standalone single.
Playing is great. Not usually a fan of Alto-sax players but I like him here.
Aspects of this border on corny. “New life”, for instance, has this new age scatting that I found distracting.
Overall great playing and writing makes this an album I’ve enjoyed coming back to over the past few years.
What’s it sound like?
New York’s version of early Clash: dark and divey.
Thoughts
This is a great record, right up there with other punk and post-punk of the era. At times they can sound like more modern dance punk but with a refreshing straight-forwardness that I think is lost in current bands.
I mention the clash because they incorporate a world/dub sound that I think the clash does so well.
OPN has highly effective moments that will always keep me curious about his work. R plus seven is a great piece of work but it gets a little tiring at times (maddening loops, lots of nothing). Fans will recognize these as signatures of his compositions which help to build toward these bigger moments.
The Sonic profile of his music serves to create the apt description of “Facebook servers making music”.